On July 20th, “The Qiankun Tianji Case – The Ancient Chinese Classics Exhibition†was held at the Baotou Museum in Inner Mongolia. The exhibition was unveiled in its quaint, simple and concise posture. The exhibition exhibited a collection of masterpieces of the “Qingxin Jingshe†masters and their friends who have been collecting for more than 40 years, mainly including pens, ink, paper, enamel and its derivative room supplies and Wenfang Qing offering more than 100 pieces of cultural relics. . The exhibition is elegant, exquisite and exquisite in the form of exhibitions and pictures and texts, and unique display techniques. It shows the incomprehensible relationship between the ancient literati and the writers and the housewares. As the soothing and melodious guqin music enters the exhibition hall, under the sleek and sleek lighting, a piece of exquisitely carved and finely crafted room is more brilliant and dazzling through the showcase. Approaching the showcase, an antique red rosewood table makes people's eyes shine. The carefully selected materials, the simple and concise shape, the complicated workmanship dragon pattern and the three-bend outturned horseshoe foot give the table a good name. Aristocratic atmosphere. On the table, there are a few fine-grained rooms in the room. There are three books in the towel box of the Qing Dynasty classicist Mao Qiling, "The Collection of Xihe Collection, Four Books Correction", and the powdered landscape of Zhang Zhitang of the Republic of China. There is a white copper with a rich and elegant rhyme. One side of the elliptical ink cartridge, a jade-like camel with a chic style and a unique shape. Everything is pleasing to the eye, especially the white copper ink cartridge is unique. The box has a small head and a small plaque engraved with the words "Wrist Knowing Pen, Lifting the Center, daring, arranging the chest, intentions in front of the pen, and horizontal and vertical after the pen" He said that the essentials of Chinese calligraphy study. The entire table is co-ordinated and quaint, and the tableware has a unique ancient charm and distinctive features. Moving forward, a colorful Chinese landscape painting stops people. The 1191.5cm long and 51.5cm wide painted landscape paintings cover the entire showcase. This grand plan is the sorrowful work of the young talented young man of the Song Dynasty, Wang Ximeng, "The Thousand Miles of Rivers and Mountains" (high imitation), whose original works are now in the Forbidden City. Museum. Based on the traditional “green landscape†painting method, the painting uses fine brushstrokes to accurately depict the peaks and ridges, the undulating undulations, the rivers, lakes and rivers, the vast expanse of smoke, and a magnificent and magnificent Chinese Jinxiu landscape. on. Author Wang Ximeng entered the Royal Painting Academy of Song Huizong at the age of 18 to study Chinese landscape painting. Because of his high talents, he was deeply influenced by Song Huizong Zhao Wei and was able to secretly pass on techniques. In the elegant and elegant showcase on the east side of the exhibition hall, there are various kinds of pen-and-ink papers and their study supplies that are familiar to the audience, and each piece of text is transmitted through the explanation of the board, the text summary, and the physical comparison. The material function of the housewares and the cultural information of the craftsmanship allow the audience to understand the profoundness of the Chinese pen and ink culture from many angles. At the corner of the showcase, a piece of exquisite and succulent Yu Shou cinnabar stone shovel rests on the stand, a mottled quaint wolf burr pen is placed on it, and a crystal lacquered brown red water is placed next to it. Hey, inserting a pair of copper enamel water spoons, slim, this simple and elegant, elegant and unpretentious furnishings is not the simple and elegant, extraordinary and refined feelings that the ancient literati insisted on pursuing. The downfall on display in this exhibition is a rare treasure in the middle of the exhibition. There is a design of Qiqiao, cold and non-condensing sky blue glaze warm enamel, there is pure color, burning is not easy Langlang red cinnabar enamel, has a strange shape, simple shape of purple sand six cinnabar cinnabar, there are expensive Aiite green cinnabar cinnabar . Each side of the ring is so unique, and every downfall is telling a touching story. On a square stand, there are two sides of the black and white platform that are not eye-catching. One party is the Zhaoqing Yunlong pattern in Guangdong, and the other is the calligraphy of the Deng Yunmu. Ink has made a comeback, and the platform has also given life to the ink. For a long time, because of its unique cultural attributes, ink has been loved by literati. Due to the meticulous and complex ink-making process and outstanding quality, Cao Sugong, Wang Jinsheng, Wang Jieqi and Hu Kaiwen in the Qing Dynasty were known as the “Four Great Ink Kings†of Huiyin. Along the showcase, there are four groups of treasures lying quietly on the booth appealing to express their own birth. The first group is Songzi Mo, which is decorated with Yangwen hooks, square rings and diamond-shaped ornaments. The back is gilded with the words "Longevity", the lower book "Hu Kaiwen Producer", and Hu Kaiwen is the famous ink maker in the Qianlong period. The second group consists of a pair of cinnabar inks, the book “100,000 baht†and “Babaolong fragrant agentâ€, which were respectively produced by Cao Sugong, one of the “four peoples†of the Qing Dynasty, and their VIII Sun Yunya. The third group is the Xiangyin Zuo's collection of ink, the front opening light carving two dragon play beads, the Baozhu Chinese and Indian seals "Xiang" word, the back side of the book "Xiangyin Zuo's collection of ink", the whole body carved cloud pattern, exquisite workmanship, For the late Qing dynasty, Zuo Zongtang collection. The other group is Cao Sugong's "Huanghai Songxin Large Roll" made from the finest loose smoke. The ink type is petite and easy to carry. It is one of the special inks for the Imperial Examination. Come to the showcase on the north side of the exhibition hall, according to the different types of materials, set up ceramic stationery, treasure inlaid craft stationery, jade-style text room cleaning and bamboo wood carving room display and other showcases. In the ceramic stationery showcase, there are Liu Hengxiang pastel flower and bird pen holder, glazed red squid Yuelongmen shui, Yuhan é‘ pastel flower ink bed, blue and white porcelain plate ç š screen and Xu Zhongnan pastel bamboo stone wash and other stationery. One of the Chen Mingyuan purple sand pumpkin drops attracts attention, the shape is full and lifelike, like a concentrated small pumpkin Chen on the booth. The scorpion is made of purple sand and has a pumpkin shape. The body is hollow and easy to inject water. The shape of the melon is plum-shaped. The guate is cleverly made into a drip cover. A hole is opened in the middle to communicate with the body. The guate and the body are polished. The strictness of the seams, leaving no gaps, only the entire body can be rotated to a certain angle before the water can be dripped, which shows that the craftsmanship of the year is exquisite and the concept is tight. The engraved inscription on the melon is "Miaolu, Mianzhi Yongnian", which means the longevity of the generation and the meaning of Fulu. In front of the jade-style Wenfang Qing play showcase, there are Qingbai jade leaf-shaped pen-shaped pen, stone-studded stump ink box, Qingtian stone micro-carving Tang poetry, eight-party wash, Shoushan stone joy pig pen rest and jade dust horse ornaments and other stationery supplies, all of which are Boutique. In particular, the Shoushan Stone Wu Changshuo small otter, small and exquisite, greasy and greasy hands, the bottom is engraved with the "Changshi" seal, the otter should be a famous Chinese painter, calligrapher, seal engraver in the late Qing Dynasty, Hangzhou West Wu Changshuo, the first president of Yanyin Society, used it. The independent showcases in the center of the exhibition hall showcased the exquisite and beautiful artistic features of the boutiques with its exquisite and elegant furnishings and unconventional exhibits. There are jade-yellow, sturdy and sturdy, vivid and vivid white-and-white mother Ma Shuzhen and Baiyu Camel Town; there are bronze-colored Bogutu town ruler with fine light and engraving, Guo Zezhen calligraphy town ruler, Wang Xuetao’s fishing town The ruler and the foot of the Chibi in the Huangshan Shoudongpo; the colorful sandals, the exquisite workmanship and the exquisite workmanship of the rosewood treasure inlaid flower bird pen holder, the rosewood enamel paint treasure inlaid poetry flower pen holder and the rosewood wood treasure inlaid guqin type ruler; There are various stone carvings of the Qing Dynasty with different shapes, exquisite styles and high-tech techniques. The total number of works in the gardens is full of shining light, which makes people dazzle and think. The profound Chinese culture nourishes the “four treasures of the Wenfangâ€, and the exquisite “four treasures of the Wenfang†expresses the infinite charm of humanity inheritance in its unique way.
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